Your E-Pocket Guide to Exhibitions This June

The folks at Saffronart have put together a compact list of art events in Mumbai, Delhi, London and New York. All you need is a fully-charged phone to guide you and enough money if you’ve got travel plans.

There’s a lot happening in the South Asian art world that shouldn’t be missed. We’ve got it mapped for you, so head out and start taking it all in, beginning with…

Mumbai

Meera Devidayal: A Terrible Beauty, at Gallery Chemould Source: http://www.gallerychemould.com/exhibitions-works/a-terrible-beauty-meera-devidayal-chemould-prescott-road-art-mumbai-exhibition-mill-photograph-video-2014-cricket/Untitled_Painting.html

From the exhibition Meera Devidayal: A Terrible Beauty, at Gallery Chemould
Source: Gallery Chemould Website


Waswo X. Waswo: Sleeping Through the Museum
Where:  Sakshi Art Gallery, Colaba
On View Till: June 21, 2014

Has the title of the show piqued your interest yet? Udaipur based American artist Waswo X. Waswo simulates a museum in this solo show through numerous “artifacts” and photographs arranged to replicate the look and feel of one. On a deeper level, it questions the act of preserving and displaying such pieces as perpetuators of culture and heritage. For folks hanging out at SoBo and looking to do more than just kill time, head to Sakshi Art Gallery between 11am and 6pm, except on Sundays when they’re closed.

Amrita Sher-Gil: The Passionate Quest
Where:
National Gallery of Modern Art, Mumbai
On View Till:
June 30, 2014

Commemorating the birthday of the well-renowned late artist Amrita Sher-gil, this exhibition curated by art historian Yashodhara Dalmia presents a range of her oeuvre including works depicting her life in Paris, nude studies, still-life studies and portraits of her friends and her fellow students. Sher-gil, who is also recognized as India’s own Frida Kahlo, has been the youngest and only Indian artist to be elected as an Associate of the Grand Salon in Paris. The exhibition also includes her photographs, and original letters. A must-visit show for art enthusiasts in the city.

A Terrible Beauty
Where:
Gallery Chemould, Mumbai
On View Till:
July 9, 2014

This exhibition includes works by Delhi-based artist Meera Devidayal who has adopted the theme of the dilapidated mills of Mumbai and their future as the subject for her works. Her unique style and extremely sight-specific theme make this a show that is bound to make viewers not just appreciate the aesthetics of the works but also ponder about the future of the mills.

Figures of Speech: Using the Written Word in Contemporary Art
Where: Four Seasons Hotel, Mumbai
On View Till: July 15, 2014

Exploring the relationship between words and images, this exhibition features the works of contemporary artists such as N. Ramachandran, Bhavna Sonawane, Brinda Miller and Rajesh Patil among others. Of course, you can combine a visit to this exhibition with a meal or a coffee at the Four Seasons Hotel to make for a lovely afternoon or evening.

Walk the Line with Sudhir Patwardhan
Where:
Jehangir Nicholson Gallery, Kala Ghoda, Mumbai
Walkthrough:
Wednesday 11th June, 5 – 6:30 pm
On View Till: August 30, 2014

If the ongoing exhibition, “Taking the Line for a Walk” at the Jehangir Nicholson Gallery already doesn’t sound exciting enough to visit, the idea of being walked through it with contemporary artist Sudhir Patwardhan himself certainly makes it hard to miss. The exhibition showcases 45 drawings by well-acclaimed artists such as Tyeb Mehta, Akbar Padamsee, F.N. Souza, S.H. Raza, Laxman Shreshtha, Manjit Bawa and Sudhir Patwardhan. A message especially for the drawing enthusiasts out there: don’t miss this event!

 

Delhi

Raj Rewal:  “Memory, Metaphor and Meaning in his Constructed Landscape”  at NGMA, Delhi Source: caravanmagazine.in

From the exhibition Raj Rewal: “Memory, Metaphor and Meaning in his Constructed Landscape”, at NGMA, Delhi
Source: caravanmagazine.in

Kaleidoscope: Group Art Show
Where: Chawla Art Gallery, Delhi
On View Till: June 14, 2014 

This group exhibition shows some of the finest works of contemporary artists such Asit Kumar Patnaik, Bharat Bhushan Singh, Farhad Hussain, Jayasri Burman, K.S. Radhakrishnan, Ramesh Gorjala, Satish Gujral, Shipra Bhattacharya, Surya Prakash, Thota Vaikuntam, Tapas Sarkar and Manu Parekh. Having works by so many artists under one roof makes for an interesting variety of styles and themes. There is bound to be something that catches the eye of every individual view!

Raj Rewal: “Memory, Metaphor and Meaning in his Constructed Landscape”
Where: National Gallery of Modern Art, New Delhi
On View Till:
June 15, 2014

This is a retrospective show of the works of Raj Rewal, one of India’s finest architects. Known for several iconic buildings in India and abroad, his works have also been showcased at famous museums abroad such as the Pompidou Centre in Paris. Looking at architecture as a visual art allows for a unique experience for many viewers who may otherwise overlook the artistic element in buildings, which are typically judged by their functionality.

Identity Control
Where: Vadehra Art Gallery, Delhi
On View Till:
June 17, 2014

This exhibition features works that deal with “notions of policing, tracking, security, immigration, loss of individuality and rebellion, all of which are issues that affect us in more than one level.” Considering the different perspectives and approaches of leading contemporary artists such as Shilpa Gupta, Jitish Kallat, Karthik KG, Rafael Lozano-Hemmer, Natalia Ludmila, Armando Miguelez, should allow you to gain an extensive view of the complexities surrounding one’s identity.

Degenerate
Where: VadehraArt Gallery, Delhi
On View Till:
June 17, 2014

Featuring the works of contemporary artists such as Atul Bhalla, Ruby Chishti, Minal Damani, Jagannath Panda, Ashim Purkayastha and B. Ajay Sharma, this exhibition focuses on the different facets of Indian urban life in contemporary times. Combine a visit to this show with the ‘Identity Control’ exhibition, taking place in the same gallery!


London

M.F. Husain, Ganesha, 2008 from the exhibition M.F. Husain: Master of Modern Indian Painting at the Victoria and Albert Museum, London Source: http://www.vam.ac.uk/content/exhibitions/mfhusain/about-the-exhibition/

From the exhibition M.F. Husain: Master of Modern Indian Painting, at the Victoria and Albert Museum, London
Source: http://www.vam.ac.uk/content/exhibitions/mfhusain/about-the-exhibition/

S.H. Raza: Pyaas
Where:
Grosvenor Gallery
On View Till:
June 14, 2014

What would you say to being in London in summer for an exhibition of paintings by one of India’s most revered Modern artists? If it isn’t a whoop and a jump (or an acknowledging smile for the more poised amongst you), we can only surmise you don’t have a visa to make the trip. The exhibition ‘S.H. Raza: Pyaas’ is just the thing for art enthusiasts—it intends to display the development and range of styles in which Raza has depicted his characteristic subject matter in recent times. The paintings contain a great deal of vigour, vibrancy and a strong connection to India and its religious heritage.

Art Antiques London
Where:
Kensington Gardens opposite the Royal Albert Hall
On View: June 12 – 18, 2014, 11am onwards

‘The most important Asian sales of the year will be held in London during this annual event.’ —BBC Homes & Antiques Magazine

‘Asian Art in London is a brilliantly conceived celebration of Asian Art and has made London the undisputed Asian Art capital of the world.’ — Essential London Magazine

Accolades alone won’t do it, so hear it from us. Asian Art London has grown to become a highly prestigious art fair dealing in antiques and art, bringing together renowned dealers, collectors and enthusiasts. It is a one-of-a-kind opportunity to procure beautiful and rare items in antique and contemporary Asian art. Among participating galleries from London and Paris, Galerie Christophe Hioco is one to look out for. Crowning this is its convenient location opposite the Royal Albert Hall, against the backdrop of the verdant Kensington Gardens—you certainly can’t say no to that!

Olivia Fraser: Subtle Bodies Exhibition
Where: Grosvenor Gallery
On View Till: June 21, 2014

India’s art traditions draw the internationally-acclaimed artist Olivia Fraser to reference it in her works, and her latest paintings attest to this. Having lived in India for the last ten years, Fraser’s work reflects a grasp of Indian traditional iconography, but used to express sensations of a meditative process. ‘Subtle Bodies’ displays a mix of paintings on hand-made paper and limited-edition prints prepared during the last few years and the work announces Fraser’s emergence. The incredible blend of east and west, traditional, and contemporary for the new exhibition is a direct reflection of Fraser’s ideology.

M.F. Husain: Master of Modern Indian Painting
Where: Victoria & Albert Museum, South Kensington
On View Till: July 27, 2014

Seems like there’s no end to exhibitions featuring South Asian art in Central London. Head to the V&A for a sumptuous collection of paintings by Maqbool Fida Husain (1915-2011). A member of the Bombay Progressives, he was famed for his freehand drawing and vibrant colours and was among India’s pioneering Modern artists. The eight painted triptychs on display illustrate Indian civilization and were commissioned in 2008 by Mrs Usha Mittal as a tribute to the richness of India’s history. The artist was still working on the project at the time of his death and originally envisaged a series of 96 panels. History and religion feature in a feisty splurge of colours and expression—be sure to not miss out on this one!


New York

Sadequain  UNTITLED, RED BRACELET, 1980s from the exhibition Sadequain: A Retrospective at Aicon Gallery, New York Source: http://www.aicongallery.com/exhibitions/2014-06-12_sadequain-a-retrospective/?page=2#/images/20/

From the exhibition Sadequain: A Retrospective at Aicon Gallery, New York
Source: http://www.aicongallery.com/exhibitions/2014-06-12_sadequain-a-retrospective/?page=2#/images/20/

Sadequain: A Retrospective
Where:
Aicon Gallery, New York
On View: June 12 – July 12, 2014

When the Moderns were earning a name in India, Sadequain Naqqash carved his path to fame and later came to be known as a pioneering Pakistani artist in his country and the world. He came from a family of scribes and the background served him well: Sadequain came to be recognised as Pakistan’s foremost calligrapher and painter and is credited with the renaissance of Islamic calligraphy in Pakistan. His vocabulary developed through a mingling of Eastern and Western artistic traditions, as well as Hindu and Muslim ideology. Aicon Gallery hosts a collection of 24 works from the 1960s to the ’80s that trace the trajectory of his artistic development.

Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century
Where:
Metropolitan Museum of Art
On View Till: July 27, 2014

This monumental exhibit is the first of its kind and scale to bring together works on loan from South East Asia’s distinguished national collections, showcasing sculptural art produced in the earliest kingdoms of the Southeast Asian region. The Lost Kingdom features some 160 sculptures representing distinct Hindu and Buddhist cultural groups that flourished in the Southeast Asian region, that has been out of view owing to the shadow of time. Epigraphic efforts of the 20th century brought to the fore the cultural practices and remains of the Pyu, Funan, Zhenla, Champa, Dvāravatī, Kedah, and Śrīvijaya groups, which date back to many centuries. The art works highlight the influence and local amalgamation of Indic culture in regional belief systems and practices. It is interesting to see popular deities from India being depicted in a different avatar by these regional patrons. Many of the works have never travelled outside their source countries before providing visitors an opportunity to view works they may not have access to easily.

SxSE: Selections from the Asia Society Museum Collection
Where:
The Asia Society Museum
On View: June 17 – August 3, 2014

Don’t miss out on this selection of video artworks which will be on display at the Asia Society Museum, starting June 17. It features works since 2000 by South and Southeast Asian artists that highlight current artistic trends in the region, with a special focus on disparities between globalisation, modernisation, urbanisation and tradition.

For the insatiable among you, we have an events listing page that is updated each month. Be sure to drop by regularly for updates.

Convergence: Contemporary Art from India and the Diaspora

Shradha Ramesh summates a curatorial note by Professor Kathryn Myers

New York : “Convergence: Contemporary Art from India and the Diaspora” an exhibition held at the William Benton Museum, University of Connecticut (14 October to 15 December 2013) is visual entourage of Indian Modern and Contemporary art.This exhibit encapsulated a different perspective on Indian art, with artworks dating from 1940’s to the present.

Aptly titled, the oeuvres of fifteen artists with different stylistic rendition converge under one roof. Each one of these artists set out on their own creative expedition to explore a common issue of identity and the continued power of place in the current global scenario. While inquiring the conundrums of identity and place the exhibition walked through a vast expanse of repertoire ranging from photographs to new media.

 

Image courtesy Benton Museum. Convergence: Contemporary Art from India and the Diaspora”, 2013, installation view.  William Benton Museum of Art, University of Connecticut.

Image courtesy Benton Museum.
Convergence: Contemporary Art from India and the Diaspora”, 2013, installation view.
William Benton Museum of Art, University of Connecticut.

A combination of emerging and internationally recognized artists adds a new visual narration.The list of artists has stalwarts like Madhvi Parekh, Waswo X. Waswo , Ravi Agarwal, Anupam Sud ,Sanarth Banerjee, Siona Benjamin, Neil Chowdhury, Sunil Gupta, Hanuman R. Kambli, Bari Kumar, Vijay Kumar, Sachin Naik, Annu Palakunnathu Matthew, along with  young emerging artists such as Sujith SN, and Avinash Veeraraghavan, are ensemble of contemporary Indian art. These artists are of Indian origin, of which nine artists are from India and the rest six live and work from United States and London.

 

 

Image Courtesy: Connecticut Suresh Playing Hanuman, from the series  A Studio in Rajasthan (2007–present). Black-and-white digital  Print

Image Courtesy: Connecticut
Suresh Playing Hanuman, from the series
A Studio in Rajasthan (2007–present). Black-and-white digital
Print

Professor Kathryn Myers’s  passion and love for Indian art and culture that started in 1999, has transpired into a fine curatorial collection at the museum.According to Professor Myers, the concept “ “Convergence” emphasizes  how works of art continue to act as key avenues through which we increase our knowledge of and more fully invest in the world we inhabit.” One can experience this each of their works. Creating a strong link between Indian Art and education Professor Myer’s has played a pivotal role in compiling this collection.  Her collaboration with the William Benton Museum sowed the seeds for the first Indian Modern Art exhibit in 2004 called Masala: Diversity and Democracy in South Asian Art. The exhibit had 250 works of traditional, folk, popular, and contemporary art that filled three gallery spaces of the museum.  While “Convergence” is a contemporary sequel to “Masala” that revisits select work of the collection and also introduces audience to artists.

To Read more Click here

Indian Printmaking Exhibition at NGMA Bangalore

Tarika Agarwal of Saffronart on an exhibition in Bangalore that documents trends in Indian printmaking over the last 100 years

Bangalore: The National Gallery of Modern Art, Bangalore, has organized a month-long exhibition on Indian printmaking in the city. The exhibition opened on April 28, 2013, and will continue till the end of May.

The exhibition is titled ‘Between the Lines’, and has been curated by Lina Vincent Sunish, an art historian from Bangalore. The exhibition is mainly based on Indian prints from the private collection of Waswo X. Waswo that document the trends in Indian printmaking over the last 100 years. Waswo is an artist hailing from Wisconsin, USA, who now lives in India, and has a special interest in Indian printmakers and their work.

e-invitation

The opportunity to view works from a private collection is bound to raise interest within art circles. Art collectors are the ones who ultimately drive the market as well as dictate future trends. When an public institution as important as the National Gallery of Modern Art (NGMA) decides to go ahead with an exhibition displaying a private collection of Indian prints, be assured that it will be a comprehensive show as well as a learning experience.

The exhibition tells the complete story of Indian printmaking through a variety of printing techniques on display, including etchings, lithographs, woodcuts and serigraphs. Programs have been designed to help the general public as well as artists and students understand Indian history through these prints. What makes the show a ‘must-visit’ is the timeline of the collection. While some of the prints date back to 1917, the more contemporary prints count some as recent as 2012. There are about 152 works by 79 artists displayed from the collection.

This exhibition was first held at the Visual Arts Gallery of the India Habitat Centre in Delhi, which we blogged about here. It is accompanied by a comprehensive catalogue titled ‘Between the Lines: Identity, Place, and Power – Selections from the Waswo X. Waswo Collection of Indian Printmaking‘.

Between the Lines: Identity, Place, and Power

Sneha Sikand of Saffronart on Waswo X. Waswo’s private collection of Indian printmaking exhibited at India Habitat Centre

Untitled, Somnath Hore
Image credit: in.artinfo.com

Fishing, Haren Das
Image credit: in.artinfo.com

 

 

 

 

 

 

 

 

New Delhi: The Visual Arts Gallery recently exhibited Waswo X. Waswo’s private collection of prints. An avid collector of etchings, woodcuts and lithographs, Waswo’s prints range from a 1916 hand-coloured drypoint etching by Mukul Dey to works by newer artists like Durga Prasad Bandi and Kurma Nadham.

A photographer by profession, Waswo was born in Milwaukee, Wisconsin (U.S.A.). He went on to study photography in Italy, and after traveling extensively around the world settled in India in 2001. His collection of prints is not so much a historical or chronological evolution of printmaking in India, but more so a personal association with the imagery of the country he creates within his mind.

Villagers of Selaidah visiting Rabindranath Tagore, Mukul Dey
Image credit: in.artinfo.com

The exhibit has been curated by Art historian, Lina Vincent Sunish who has carefully picked out the works which went on display from Waswo’s vast collection. The aim of this exhibit was not so much to delve into the technicalities of printmaking, but more so to emphasis on how the medium is used to depict images from everyday life.

There are over seventy-nine artists whose works have been exhibited as part of the collection. The art of printmaking emerged in Bengal which is why one sees several early works by Bengali artists, with later works coming out from other art hubs such as Baroda. The collection will be exhibited at the National Gallery of Modern Art, Bengaluru later this year.

Read more about prints on Waswo X. Waswo’s blog: Collection of Indian Printmaking